I have completed building my “Virtual Eiffel Tower Instrument,” a repository of the sounds I will use to compose Musique de la Tour.
Now the creative part begins, THE PART I CAME TO DO. To paraphrase William Shawn, legendary editor of The New Yorker: “…Be patient – trust your material. Every piece has its own natural, sometimes preposterously long term…” The music will come in time, and then no more explanations, you can just hear and hopefully enjoy the music on its own merits.
Let me sign off with a marvelous quote from one of my own patrons. It’s a testament to the support and encouragement I’ve been the grateful recipient of:
“…Thanks for the updates on the Tower project, I find it fascinating. Although most of the time I don’t know what you are talking about….”
